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NPR's Bret Anthony Johnston notes that the novel is sort of an inverted murder mystery: the reader knows someone has been killed, but the reader has to wait to find out who the victim is. In the novel, Miss Pratt, the school principal at Beardsley, discusses with Humbert Dolores's behavioral issues and among other things persuades Humbert to allow her to participate in the dramatics group, especially one upcoming play. In the film, this role is replaced by Quilty disguised as a school psychologist named "Dr.
This disguise does not appear in the novel at all. In both versions, a claim is made that Lolita appears to be "sexually repressed", as she mysteriously has no interest in boys. Both Dr. Zempf and Miss Pratt express the opinion that this aspect of her youth should be developed and stimulated by dating and participating in the school's social activities.
While Pratt mostly wants Humbert to let Dolores generally into the dramatic group, Quilty as Zempf is specifically focused on the high school play written by Quilty and produced with some supervision from him which Lolita had secretly rehearsed for in both the film and novel. Although Peter Sellers is playing only one character in this film, Quilty's disguise as Dr. Zempf allows him to employ a mock German accent that is quintessentially in the style of Sellers's acting. With regard to this scene, playwright Edward Albee 's stage adaptation of the novel follows Kubrick's film rather than the novel.
The movie retains the novel's theme of Quilty anonymously goading Humbert's conscience on many occasions, though the details of how this theme is played out are quite different in the film. He has been described as "an emanation of Humbert's guilty conscience",  and Humbert describes Quilty in the novel as his "shadow".
The first and last word of the novel is "Lolita". In the novel, Humbert and Charlotte go swimming in Hourglass Lake, where Charlotte announces she will ship Lo off to a good boarding school; that part takes place in bed in the film. Humbert's contemplation of possibly killing Charlotte similarly takes place at Hourglass Lake in the book, but at home in the film. This difference affects Humbert's contemplated method of killing Charlotte.
In the book he is tempted to drown her in the lake, whereas in the film he considers the possibility of shooting her with a pistol while in the house, in both scenarios concluding that he could never bring himself to do it. In his biography of Kubrick, Vincent LoBrutto notes that Kubrick tried to recreate Hourglass Lake in a studio, but became uncomfortable shooting such a pivotally important exterior scene in the studio, so he refashioned the scene to take place at home. In the novel Humbert really considers killing Charlotte and later Lolita accuses Humbert of having deliberately killed her.
Only the first scene is in the film and only the latter scene appears in the film. Lolita's friend, Mona Dahl, is a friend in Ramsdale the first half of the story in the film and disappears quite early in the story. In the film, Mona is simply the host of a party which Lolita abandons early in the story.
Mona is a friend of Lolita's in Beardsley the second half of the story in the novel. In the novel Mona is active in the school play, Lolita tells Humbert stories about Mona's love life, and Humbert notes Mona had "long since ceased" to be if ever she was a "nymphet". Mona has already had an affair with a Marine and appears to be flirting with Humbert. She keeps Lolita's secrets and helps Lolita lie to Humbert when Humbert discovers that Lolita has been missing her piano lessons.
In the film, Mona in the second half seems to have been replaced by a "Michele" who is also in the play and having an affair with a Marine and backs up Lolita's fibs to Humbert. Film critic Greg Jenkins claims that Mona has simply been entirely eliminated from the film. Humbert is suspicious that Lolita is developing an interest in boys at various times throughout the story.
He suspects no one in particular in the novel. In the film, he is twice suspicious of a pair of boys, Rex and Roy, who hang out with Lolita and her friend Michele. In the novel, Mona has a friend named Roy. In the novel, the first mutual attraction between Humbert and Lolita begins because Humbert resembles a celebrity she likes. In the film, it occurs at a drive-in horror film when she grabs his hand. Christine Lee Gengaro proposes that this suggests that Humbert is a monster in a mask,  and the same theory is developed at greater length by Jason Lee.
In the novel, both the hotel at which Humbert and Dolores first have relations and the stage-play by Quilty for which Dolores prepares to perform in at her high school is called The Enchanted Hunter. However, in the novel school headmistress Pratt erroneously refers to the play as The Hunted Enchanter.
In Kubrick's film, the hotel bears the same name as in the novel, but now the play really is called The Hunted Enchanter. Both names are established only through signage — the banner for the police convention at the hotel and the marquee for the play — the names are never mentioned in dialogue.
The relationships between Humbert and other women before and after Lolita are omitted from the film. Greg Jenkins sees this as part of Kubrick's general tendency to simplify his narratives, also noting that the novel therefore gives us a more "seasoned" view of Humbert's taste in women.
Kubrick scholar Michel Ciment sees this as typical of Kubrick's general tendency to assail authority figures. Lolita completes the school play written by Clare Quilty in the film, but drops out prior to finishing it in the novel. In the film, we see that Quilty's play has suggestive symbolism, and Humbert's confrontation with Lolita over her missing her piano lessons occurs after her triumphal debut in the play's premiere.
The music for the film was composed by Nelson Riddle the main theme was by Bob Harris. The recurring dance number first heard on the radio when Humbert meets Lolita in the garden later became a hit single under the name "Lolita Ya Ya" with Sue Lyon credited with the singing on the single version.
The usual Ventures guitar sound is neatly augmented with voices. Lolita premiered on June 13, , in New York City the copyright date onscreen is It performed fairly well with little advertising, relying mostly on word-of-mouth; many critics seemed uninterested or dismissive of the film while others gave it glowing reviews. However, the film was very controversial, due to the hebephilia -related content.
Among the positive reviews, Bosley Crowther of The New York Times wrote that the film was "conspicuously different" from the novel and had "some strange confusions of style and mood", but nevertheless had "a rare power, a garbled but often moving push toward an off-beat communication. Coe of The Washington Post called it "a peculiarly brilliant film", with a tone "not of hatred, but of mocking true.
Director and author have a viewpoint on modern life that is not flattering but it is not despising, either. It is regret for the human comedy. Scheuer of the Los Angeles Times declared that the film "manages to hit peaks of comedy shrilly dissonant but on an adult level, that are rare indeed, and at the same time to underline the tragedy in human communication, human communion, between people who've got their signals hopelessly crossed.
Variety had a mixed assessment, calling the film "occasionally amusing but shapeless", and likening it to "a bee from which the stinger has been removed. It still buzzes with a sort of promising irreverence, but it lacks the power to shock and eventually makes very little point either as comedy or satire.
The critical consensus reads: "Kubrick's Lolita adapts its seemingly unadaptable source material with a sly comedic touch and a sterling performance by James Mason that transforms the controversial novel into something refreshingly new without sacrificing its essential edge.
The film was a commercial success. The film was widely publicized as being more faithful to Nabokov than the Kubrick film. From Wikipedia, the free encyclopedia. Release date. June 13, United States. Running time. See also: List of recurring cast members in Stanley Kubrick films. Denier Warren as Potts. See also: Lolita. Play media. Main article: Lolita film. The New York Times. Archived from the original on November 3, Retrieved October 3, Turner Classic Movies.
Retrieved November 27, American Film Institute. The Numbers. Retrieved June 13, Retrieved March 5, Vladimir Nabokov: the American years. ISBN Retrieved August 30, Archived from the original on January 3, Retrieved March 6, Chicago Review Press. British Board of Film Classification. Retrieved November 1, These quotes include other details of Humbert's narration. On Kubrick. The male body: a new look at men in public and in private.
Archived from the original on November 8, July 7, Knopf Doubleday. Stanley Kubrick: A Biography. Da Capo Press. Stanley Kubrick and the art of adaptation: three novels, three films. Celebrity, Pedophilia, and Ideology in American Culture.
Cambria Press. Kubrick: The Definitive Edition. The Endless Groove. Archived from the original on January 9, Retrieved December 7, Billboard Database. Retrieved February 26, July 14, Navhind Times. Retrieved November 29, The New York Times : June 29, The Washington Post.
Los Angeles Times. Calendar, p. The Monthly Film Bulletin. October The New Yorker. Variety : 6. June 13, Harrison's Reports : June 23, A world on Film. Delta Books. Retrieved November 28, Archived from the original on November 18, Retrieved December 28, January 8, Retrieved August 23, Retrieved September 16, Directors Guild of America Awards.
Retrieved July 5, The New York Observer. May 31, Archived from the original on October 4, Retrieved May 11, Vladimir Nabokov 's Lolita Lolita Lolita Lolita, My Love musical Lolita play Lolita opera. Lo's Diary novel Roger Fishbite novel. Lolita " Eat Me, Drink Me. Stanley Kubrick. Interpretations of Recurring cast members Kubrick Mons. The films of James B. Authority control. Germany United States. Categories : films English-language films comedy-drama films American black-and-white films American comedy-drama films American films American nonlinear narrative films American romantic drama films British black-and-white films British comedy-drama films British films British nonlinear narrative films Censored films Films about child sexual abuse Films about educators Films about orphans Films based on American novels Films based on works by Vladimir Nabokov Films directed by Stanley Kubrick Films scored by Nelson Riddle Films set in New Hampshire Films set in Ohio Films set in the s Films shot at Associated British Studios Incest in film Juvenile sexuality in films Metro-Goldwyn-Mayer films Obscenity controversies in film.
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